A program of debut shorts from some of cinema's greatest diectors. Curated by Emir Kusturica and Stephen Frears, featured auteurs include George Lucas' "1.42.08 to Qualify" (1966), Ridley Scott's "A Boy and a Bicycle" (1965), Robert Zemeckis' "The Lift" (1972), Tony Scott's "One of the Missing" (1969), Kusturica's "Guernica" (1978), Luc Besson's "L'avant dernier" (1981), Lars von Trier's "Nocturne" (1980), Terry Gilliam's "Storytime" (1968), Paul Verhoeven's "A Lizzard Too Much" (1960), Roman Polanski's "Le gros et le maigre" (1960), Jane Campion's "Peel" (1982), and Frears' "The Burning" (1967).

暂无英文版的简介，请添加内容帮助我们完善数据库。

Accompagné de sa compagne Marie et de ses deux fils Rémi et Martin, Joseph franchira bientôt la frontière suisse pour mettre fin à ses jours. Atteint d’un mal qui ronge son corps, il a décidé d’avoir recours au suicide assisté.

The invention of censorship, which dates a few years later than the invention of cinema, pushed smutty films to go underground which is synonymous with total freedom, since banned, erotic films could become fully pornographic. 　　Banned but still produced, filmed and especially shown, these films are called “from brothels”, as some were shown in smoking and waiting rooms of brothels. It is there, or in private collections, that they went through the 20th century, waiting for the explosion of the 1970s — and the legalization of the pornographic genre. 　　Usually anonymous (and rightly so!), difficult to date, these films pave the way of this genre (minimised preliminaries, light screenplays, compulsory figures, limited duration of films…), and at the same time carrying some specific features: sometimes humour (Sœur Vaseline) and more often, a sort of… innocence, that of the all first times.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Facing unemployment from his record store job, divorce and his 20 year high school reunion, a listless former 90's 'one hit wonder' is given a unique second chance when he agrees to produce and record the debut album of an up and coming Internet sensation.

暂无英文版的简介，请添加内容帮助我们完善数据库。

A love journey along a side path. From her cabin to the ‘garden of little brambles’, the director engages in dialogue with the beings she encounters. Women, animals, flowers, trees, and books joyfully coexist in this quest. 　　[FR] Un parcours amoureux sur un chemin de traverse. De sa cabane jusqu’au « jardin des roncettes », la réalisatrice dialogue avec les êtres qu’elle rencontre. Femmes, animaux, fleurs, arbres, livres cohabitent joyeusement dans cette quête.

The collapse of a department store disturbs a local community, causing strife for some, and bringing some people closer than ever before.

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.